OK, This is Freaky, Part 2

The wife of one of our PRISM crew is a reluctant but apparently very talented medium. Unbeknownst to us he invited her to the set BECAUSE of the weirdness we had been experiencing. He didn't tell her any details.

When she got to the building she came in from the basement and walked with other crew to the elevators. When one set of elevator doors opened she refused to go inside. She said she preferred to wait for the other one. When asked why, she said that "someone" was on that elevator, though it appeared empty to all who were there.

As it happens it was the same elevator in which our art director’s encounter took place. She did not know this at the time.

She went on that night to identify quietly to her husband not only the young boy we had encountered but also correctly told the detailed story of a horrible violent shooting which had taken place in that building some years ago. A shooting which we later verified. She claimed no knowledge of the event, and even so, would have had no idea of the details of the assailant’s ethnicity, job description, or the exact location of the acts.

This definitely freaked us out.

 
 

Interviews

Selected Scene Explorations

  1. Opening Montage
  2. The Intruder
  3. Opposites Attract
  4. The Hospital
  5. The Patients
  6. First Impressons
  7. An Issue of Trust
  8. First Big Clue
  9. A Door is Opened
  10. Confronting the Witness
  11. Testing a theory
  12. Enter Mason
  13. The Conversation
  14. Leanna is Lost
  15. The Entity Forms a Plan
  16. Leanna's Call, Bill's Epiphany
  17. Only one of us can stay
  18. Resolution

Thoughts and Spooky Production Stories:

HInts and Inspirations.